Ružica Church

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Quick Summary

Location
44°49'31"N
020°27'04"E
Country
 Serbia
Categories
  • Sacral
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Description

Ružica Church (Serbian Cyrillic: Црква Ружица, romanized: Crkva Ružica, lit. ''Little Rose Church'') is a Serbian Orthodox church located in the Belgrade Fortress, in Belgrade, the capital of Serbia. Original church was built in the early 15th century, while the modern one was adapted in 1869 and fully reconstructed in 1925. It is dedicated to the Nativity of Mary. With its location within the fortress and water spring of Saint Petka, constant crowds of visitors especially on Saint Petka's feast day, and unorthodox appearance, it is considered one of the "best loved churches among the adherents".

Location

The church is located in the eastern outer bailey of the fortress, between the Zindan Gate's northern arched tower wall on the south, and Jakšić Tower on the north, both towering above the church. It is situated along the downhill, partially stepped path, which connects the Upper Town of the fortress (section between the Zindan and Leopold's gates) and the Lower Town. Along the path, just to the southeast, is Belgrade Planetarium, while the path continues to the Nebojša Tower and the Sava bank.

History

Predecessor

The origin of the church is obscured. The church probably existed in the medieval period, during Despot Stefan Lazarević's reign in Belgrade (1402-1427), but the exact circumstances about its construction - when it was built and by whom - are unknown. As a result, several myths about its origins developed and a notion that it was the oldest church in Belgrade. According to one, three sisters, Ružica, Cveta and Marica, built three churches within the fortress complex and each was named after one of the sisters. Another origin story, described by Gregory Tsamblak in the 15th century, place construction of the church in 1403. Princess Milica and nun Jefimija pleaded to the Ottoman Sultan Bayezid I, also Milica's son-in-law, who eventually granted the permission for the remains of the Saint Petka to be transferred to Serbia before his loss of throne in 1402. Via Vidin, Bulgaria, the remains reached Belgrade in 1403. According to folk legend, wherever the caravan was stopping, the miraculous, healing water springs would appear. Above one of the springs in the fortress, at the location of modern church, the chapel and the church were built. The church was dedicated to the Mary, mother of Jesus, and the water from the spring flew under its foundations. The remains of Saint Petka remained in Belgrade until 1521, kept in the rock nabove the spring. When the Ottomans conquered the city that year, the remains were transferred to Iași in Moldavia (modern Romania) and the church was demolished. Saint Petka's finger is still being kept in the modern Ružica Church as its most valuable relic. The cult of Saint Petka as the healer was so strong, that members of all confessions (Orthodox, Catholics, Muslims), pilgrimaged the spring named after her in the fortress, which was believed to heal the blindness. The surviving remains of the church and the chapel were demolished by the Ottomans in the late 17th century.

Origin

During their 1718-1739 occupation of Belgrade and northern Serbia, the Austrians built a gunpowder magazine next to the spring. It was part of the 1723-1739 Baroque reconstruction of the fortress, and the entire city outside the ramparts, conducted by Nicolas Doxat. Though obliged by the treaty to demolish everything that was built within the fortress during their occupation, the Austrians didn't destroy the magazine which remained as one of the rare object that survived. The Ottomans continued to use it for the same purpose.During his first reign, prince Miloš Obrenović referred to the church in his correspondence with the Belgrade's Yusuf Pasha. When pasha asked for Miloš to repair the damaged minaret of the Batal Mosque in Belgrade, prince responded that "within the ramparts there are two churches, where the Turks keep their ammunition, but they don't allow the Serbs to repair them". The location was strongly embedded into the collective folk remembrance at the time, due to its alleged ancient origins and miraculous spring of Saint Petka. The myth surrounding the church especially developed in the 19th century, when population believed that Turks adapted the ancient church into the gunpowder magazine. Only 5 days after the Ottomans were fully expelled from the Belgrade Fortress on 18 April [O.S. 6 April] 1867, and on the day when Serbian army entered the fortress, Metropolitan of Belgrade Mihailo Jovanović asked that Serbian government hands over the object to the church for the reconstruction. The board for the reconstruction of the church was founded on 5 May [O.S. 23 April] 1867 and donations collection began.After the works on adaptation of the magazine began, they were finished in 9 months. The consecration was held on 3 January [O.S. 22 December 1867] 1868, by Metropolitan Mihailo. He compared the "resurrection" of the church with the biblical Raising of Lazarus. The regular service began by the spring of 1869 when the bell tower was completed. The altar was roofed in September 1869. The first bell was placed in October 1870. As the fortress was largely a military facility, Ružica was dedicated as the military church.

Modern church

The church was heavily damaged during World War I and constant bombardment of the fortress by the Austro-Hungarian forces from across the Sava. It was almost completely demolished in 1915 but was also plundered by the Austro-Hungarian and German soldiers. The altar and the bell tower were damaged the most. Being a garrison church, a Holy Communion for some 1,000 soldiers, defenders of Belgrade, was held in Ružica in 1914, when Austrians attacked for the first time, and in 1915, when they attacked again. The soldiers were holding positions in the trenches below the church where most of them were killed. In October 1915, a grenade fired from the 42 cm Gamma Mörser hit the fortress wall right above the church but didn't explode. Church was badly damaged by this time and if the grenade exploded (cartridge weighted 900 kg (2,000 lb) and contained 96 kg (212 lb) of TNT), it would destroy the wall of the Zindan Gate tower which was hit and would level the church to the ground as it is located below the wall. Still, the bell tower was destroyed and the entire apsidal side of the church was completely demolished.At the location of the modern Monument of Gratitude to France in Kalemegdan section of the fortress, there was a monument to Karađorđe, dedicated on 21 August 1913. During the Austro-Hungarian occupation, the Austrians planned to erect the bronze monument to their emperor, Franz Joseph I on that very spot so they melted the Karađorđe's monument to reuse the bronze. When the Franz Joseph monument was being shipped to Belgrade in 1918, Serbian forces captured the ship and confiscated the statue. It was later melted into three church bells, largest of which still tolls from the bell tower of the Ružica Church today. Reconstruction, after the design by the Russian émigré architect Nikolay Krasnov, lasted from 1921 to 1925, and the reconstructed Ružica Church was consecrated on 11 October 1925. A memorial plaque, commemorating this event, but also the destruction during the war, was placed on the church wall. The object wasn't expanded but the new bell tower was completely different than the previous one. The church lost the façade mortar and Krasnov decided not to restore it. This made the stone, from which the church is made, exposed which gave it the rustic appearance and the object blended better into the surroundings of the stone fortress.The reconstruction was headed by the new board for the reconstruction and heftily helped by the Ministry of war. The Military Technical Institute in Kragujevac cast two large polyeleos chandeliers, three large candelabra and the relief-type icons made of metal. They were all made of melted military materials: rifle and pistol bullets, shell cases and sabres. They are unique among the church equipment because of this and enhanced the military allegiance of the object.During the 1925 reconstruction, two statues were sculptured. One represents the lancer from the period of Emperor Dušan, while the other one is of an infantry soldier from the Balkan Wars period. Krasnov especially designed the side portal where these statues are placed, so as the bronze icon of the Mother of God. The two sculptures were also made of remaining war materials. Six icons were brought from the Serbian military camp in Nador, Morocco, but only two are preserved today. The iconostasis was carved by Kosta Todorović, and the icons were painted by Rafailo Momčilović. The walls were covered in paintings by Andrej Bicenko, another Russian émigré artist, who finished his work in 1938.In 1926, the unexploded grenade above the church was deactivated and removed. Newspapers reported about the event on daily basis, and when the grenade was taken out, it was publicly announced that the fortress is safe for the visitors. The grenade is today exhibited in the Military Museum, on the top of the fortress. Also, works on the complex continued after 1925, when the waterworks pipes were conducted and the altar gate was placed. Works were finished by 1937, when the Chapel of Saint Petka, the porch and the clergy house were completed. They were all designed by the architect Momir Korunović. It was during this works that an ossuary of the World War I defenders of Belgrade was built within the lower walls of the Jakšić Tower, right next to the religious complex.The clergy house was demolished during the massive Allied Easter bombing in April 1944. Only after World War II, with the new Communist government, Ružica stopped being military and garrison church, and worship services began to be conducted by the monastics and priests of the Patriarchate and the Eparchy of Belgrade-Karlovci.

Artwork

Momčilović painted the icons on the iconostasis using technique oil on plywood, after the sketches of bishop Irinej Đurić. Todorović carved the bulkheads of the iconostasis in the shallow, gold plated wood engraving to recreate the medieval Serbian Morava style. Bicenko's wall paintings are specific, as they contain images of certain contemporaries. Western section represents Jesus Christ's Sermon on the Mount, with priest Petar Trbojević and King Alexander in the audience. In the eastern section there are images of King Peter and Emperor Nicholas II of Russia. Due to high moisture levels, the iconography is mostly damaged today.
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